Symbolanthus jasonii
Listing: Newly discovered, not yet listed. Using IUCN criteria it is critically endangered.
The Plant’s Story:
Symbolanthus jasonii, a member of the Gentian family, was collected for the first time during a recent expedition to the poorly-studied Cordillera del Condor on the Ecuadorian-Peruvian border. The plant is 10-feet tall sparsely distinct from other species in the region. This area of South America is dotted with neotropical montane microhabitats that are surrounded by large disturbed areas, so individual plant populations can be many miles apart. Many plants here are found in a very small area, so the odds of any given species being lost completely to habitat conversion is high.
The Artist’s Story: Bobbi Angell
I have drawn over 20 species and varieties of Symbolanthus, but most have been reconstructed from single pressed herbarium specimens. In contrast, the new species provided me with refreshingly complete material from which to prepare an illustration. I was able to dissect a pickled flower (a flower preserved in a liquid solution) to show the distinctive corona (the ‘ring’ that gives the genus its common name of Ring Gentian).
More of the plant’s story and the artist’s story can be found in the exhibit catalog, available at the exhibition venues or online from the ASBA.
Artwork is Copyrighted by the Artists
All Rights Reserved
Postings are excerpts from the exhibition catalog edited by Carol Woodin
All Rights Reserved
Postings are excerpts from the exhibition catalog edited by Carol Woodin
Showing posts with label Peru. Show all posts
Showing posts with label Peru. Show all posts
Saturday, July 24, 2010
Thursday, July 22, 2010
Slipper Orchid, Watercolor by Angela Mirro, US
Phragmipedium kovachii
Listing: CITES Appendix I
The Plant’s Story:
The discovery of Phragmipedium kovachii set the botanical world alight and may be the most important orchid find in the past one hundred years. Its large size and brilliant color led many to wonder how it had remained so long secreted in the Peruvian jungle. Although reported to have been discovered in 2001 by a local farmer in northeastern Peru, it was brought to the public’s attention in mid-2002. In 2003, the Peruvian government, through its Department of Natural Resources authorized two established Peruvian plant nurseries to obtain five Phragmipdium kovachii from the wild for a captive breeding program.
The Artist’s Story: Angela Mirro
I first painted Phragmipediu kovachii in 2003. In May of that year, I traveled to Peru and joined a small group of Peruvians and Americans interested in seeing and studying the plant in its habitat. It was an experience I shall never forget! We embarked on a rough and treacherous trail. We were ill-prepared for what lay ahead. I decided to stay behind with a few other people. The others continued onward. A few days later, I was able to sketch and study one of the legally collected plants. Alfredo Manrique Sipan was kind enough to invite me to visit his nursery in Lima in late 2004, and there I started the painting exhibited here. I made many color studies and sketches from life, then completed the painting back in Brooklyn.
More of the plant’s story and the artist’s story can be found in the exhibit catalog, available at the exhibition venues or online from the ASBA.
Listing: CITES Appendix I
The Plant’s Story:
The discovery of Phragmipedium kovachii set the botanical world alight and may be the most important orchid find in the past one hundred years. Its large size and brilliant color led many to wonder how it had remained so long secreted in the Peruvian jungle. Although reported to have been discovered in 2001 by a local farmer in northeastern Peru, it was brought to the public’s attention in mid-2002. In 2003, the Peruvian government, through its Department of Natural Resources authorized two established Peruvian plant nurseries to obtain five Phragmipdium kovachii from the wild for a captive breeding program.
The Artist’s Story: Angela Mirro
I first painted Phragmipediu kovachii in 2003. In May of that year, I traveled to Peru and joined a small group of Peruvians and Americans interested in seeing and studying the plant in its habitat. It was an experience I shall never forget! We embarked on a rough and treacherous trail. We were ill-prepared for what lay ahead. I decided to stay behind with a few other people. The others continued onward. A few days later, I was able to sketch and study one of the legally collected plants. Alfredo Manrique Sipan was kind enough to invite me to visit his nursery in Lima in late 2004, and there I started the painting exhibited here. I made many color studies and sketches from life, then completed the painting back in Brooklyn.
More of the plant’s story and the artist’s story can be found in the exhibit catalog, available at the exhibition venues or online from the ASBA.
Labels:
botanical art,
endangered species,
orchid,
Peru,
watercolor
Friday, July 16, 2010
Lycaste, Watercolor by Angela Mirro, US
Lycaste macrophylla
Listing: CITES, Appendix II
The Plant’s Story:
Lycaste orchids grow on tree branches or rocky outcrops and are a genus of about 50 species found in mid-elevation forests from Mexico through Bolivia. This Lycaste macrophylla is found from Nicaragua to Bolivia. The major factors that threaten its numbers are agriculture, logging, fires and the collecting of plants from the wild for horticulture.
In Peru, where the artist found this plant, there is a push to increase tourism, leading to worries about its impact on local communities, and on cultural and natural treasures. Restrictions have been increased on visitors to the 125 square mile Machu Picchu Historical Sanctuary, a World Heritage Site that recently has seen 800,000 tourists a year. Hundreds of orchid species are found throughout the Sanctuary.
One of many private companies attempting to mediate the effects of visitorship and have a positive impact on natural, social and cultural environments is Inkaterra’s Machu Picchu Pueblo Hotel, part lodging, part sustainable ecotourism destination, and part conservation organization.
The Artist’s Store: Angela Mirro
The plant depicted in my painting was grown in the Orchid Trail at Inkaterra Machu Picchu Pueblo Hotel, part of the Machu Picchu Historical Sanctuary. During my initial trip in 1997 I started sketching and painting studies of the orchids, to eventually return many times over the past twelve years. Lycast macrophylla interested me from the beginning and I finally completed the painting exhibited here in 2007.
More of the plant’s story and the artist’s story can be found in the exhibit catalog, available at the exhibition venues or online from the ASBA.
Listing: CITES, Appendix II
The Plant’s Story:
Lycaste orchids grow on tree branches or rocky outcrops and are a genus of about 50 species found in mid-elevation forests from Mexico through Bolivia. This Lycaste macrophylla is found from Nicaragua to Bolivia. The major factors that threaten its numbers are agriculture, logging, fires and the collecting of plants from the wild for horticulture.
In Peru, where the artist found this plant, there is a push to increase tourism, leading to worries about its impact on local communities, and on cultural and natural treasures. Restrictions have been increased on visitors to the 125 square mile Machu Picchu Historical Sanctuary, a World Heritage Site that recently has seen 800,000 tourists a year. Hundreds of orchid species are found throughout the Sanctuary.
One of many private companies attempting to mediate the effects of visitorship and have a positive impact on natural, social and cultural environments is Inkaterra’s Machu Picchu Pueblo Hotel, part lodging, part sustainable ecotourism destination, and part conservation organization.
The Artist’s Store: Angela Mirro
The plant depicted in my painting was grown in the Orchid Trail at Inkaterra Machu Picchu Pueblo Hotel, part of the Machu Picchu Historical Sanctuary. During my initial trip in 1997 I started sketching and painting studies of the orchids, to eventually return many times over the past twelve years. Lycast macrophylla interested me from the beginning and I finally completed the painting exhibited here in 2007.
More of the plant’s story and the artist’s story can be found in the exhibit catalog, available at the exhibition venues or online from the ASBA.
Labels:
botanical art,
botany,
Inkaterra,
Lycaste macrophylla,
Machu Picchu,
orchid,
Peru,
Pueblo Hotel,
watercolor
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